Aesthetic equivalence of human senses in japanese tradition
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Aesthetic equivalence of human senses in japanese tradition
Annotation
PII
S0236-20070000616-8-1
Publication type
Article
Status
Published
Edition
Pages
170-184
Abstract
The article is devoted to a widely discussed subject - aesthetical synaesthesia, shown in Japanese traditional art theory - Geido in different ways. The most representative form of such synaesthesia can be found in the art of Tea ceremony - Sado, where all five corporal senses are powerful gates of both perception and creation of complicated images, significant for the medieval forms of thinking influenced by Buddhist world outlook.
Keywords
"GEIDO" AESTHETICS, SYNAESTHESIA, MEDIEVAL JAPANESE ART
Date of publication
01.08.2011
Number of purchasers
1
Views
1064
Readers community rating
0.0 (0 votes)
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References



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