- PII
- S0236-20070000616-8-1
- DOI
- 10.7868/S70000616-8-1
- Publication type
- Article
- Status
- Published
- Authors
- Volume/ Edition
- Volume / Issue 5
- Pages
- 63-72
- Abstract
- There are two ways to display movement and time in painting. The first one is to display consecutive images of key scenes - this way has led to invention of cinema. The second way is a simultaneous combination of different existential and temporal elements of a figure in the same picture. Some properties of human visual perception underlying the second approach are identified. Leonardo da Vinci in his portrait of Mona Liza has suggested and carried out such a synthesis from variety of elements. The photograph interpretating "Gioconda" is presented.
- Keywords
- TIME DISPLAY IN PAINTING, PORTRAIT FRAGMENT, PORTRAIT SYNTHESIS, LEONARDO DA VINCI, PHOTOGRAPH, MOVEMENT DISPLAY, "GIOCONDA"
- Date of publication
- 01.10.2011
- Year of publication
- 2011
- Number of purchasers
- 1
- Views
- 1165
RAS Social ScienceГосударство и право Gosudarstvo i pravo
- ISSN (Print) 1026-9452
- ISSN (Online) 2713-0398
1000 and 1 "Gioconda"
Indexing
Scopus
Crossref
Higher Attestation Commission
At the Ministry of Education and Science of the Russian Federation
Scientific Electronic Library